HUMANIDADES INHUMANAS || Christa Zaat

Lewis W. Hine (American photographer) 1874 - 1940
Sadie Pfeifer, 48 inches high. Has Worked Half a Year. One of the Many Small Children at Work in Lancaster Cotton Mills, 1908
photograph
probably printed in the 1930s or 1940s
10½ x 13 3/8 in. (26.7 x 33.8 cm.)
private collection

Lewis W. Hine, in full Lewis Wickes Hine used his art to bring social ills to public attention.

Hine was trained as a sociologist. He began to portray the immigrants who crowded onto New York’s Ellis Island in 1905, and he also photographed the tenements and sweatshops where the immigrants were forced to live and work. These pictures were published in 1908 in Charities and the Commons (later Survey).

In 1909 Hine published Child Labor in the Carolinas and Day Laborers Before Their Time, the first of his many photo stories documenting child labour. These photo stories included such pictures as Breaker Boys Inside the Coal Breaker and Little Spinner in Carolina Cotton Mill, which showed children as young as eight years old working long hours in dangerous conditions. Two years later Hine was hired by the National Child Labor Committee to explore child-labour conditions in the United States more extensively. Hine traveled throughout the eastern half of the United States, gathering appalling pictures of exploited children and the slums in which they lived. He kept a careful record of his conversations with the children by secretly taking notes inside his coat pocket and photographing birth entries in family Bibles. He measured the children’s heights by the buttons on his vest.

Late in World War I, Hine served as a photographer with the Red Cross. After the Armistice he remained with the Red Cross in the Balkans, and in 1919 he published the photo story The Children’s Burden in the Balkans.

After his return to New York City, Hine was hired to record the construction of the Empire State Building, then the tallest building in the world. To get the proper angle for certain pictures of the skyscraper, Hine had himself swung out over the city streets in a basket or bucket suspended from a crane or similar device. In 1932 these photographs were published as Men at Work. Thereafter he documented a number of government projects.
Christa Zaat